Purismo was an Italian cultural motion which began within the 1820s. The group supposed to revive and preserve language via the study of medieval authors, and such study extended to the visual arts. Maurizio Dufou was the primary Purismo proponent in Liguria; he was joined by artists similar to Luigia Mussini Piaggio. In 1841, he mixed references to the Umbrian paintings of the 15th century with influences from the Nazarenes and Ingres in his painting La Musica Sacra (stored in Florence’s Gallery of Fashionable Art). Italian artists, from Cimabue to the first Raphael. Text is accessible under the Creative Commons Attribution-ShareAlike 4.0 License; extra terms might apply. By utilizing this site, you agree to the Phrases of Use and Privacy Policy. Tommaso Minardi’s pupils Antonio Ciseri and Costantino Brumidi and Mussini’s pupils Alessandro Franchi, Amos Cassioli and Cesare Maccari are all linked to the movement, in addition to Bartolomeo Pinelli, Giambattistia Gigola, and Giovanni De Min. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit group. In Genoa, the most important realization of the motion’s style is the Basilica di Santa Maria Immacolata. This artwork motion-related article is a stub. This nostalgia paralleled modifications in literary taste, which was trying again to Tuscan 14th century poetry and literature. The movement flourished via 1860, and mirrored the taste for revivalist styles, which in Italy was fed by rising curiosity in Italian national id and creative heritage. This text related to the artwork of Italy is a stub. This page was final edited on 1 January 2024, at 13:36 (UTC). Inspired by the Nazarenes from Germany, the artists of Purismo reject Neoclassicism and emulated the works of Raphael, Giotto and Fra Angelico. With the first nationwide Italian exhibition in 1861, which passed off in Florence, the fortunes of Purismo started to decline and be replaced by the types of Verismo and the Macchiaioli. You may also help Wikipedia by expanding it. One other essential support of Purismo was Luigi Mussini, referred to as from Paris as the director of the Regio Istituto Senese di Belle Arti. You will help Wikipedia by expanding it. The group’s ideals have been declared of their manifesto Del purismo nelle arti, in 1842-forty three which was written by Antonio Bianchini and co-signed by main proponent of Purismo Tommaso Minardi (1787-1871), Nazarene co-founder Friedrich Overbeck, and sculptor Pietro Tenerani. This artwork history-related article is a stub. You will help Wikipedia by increasing it. In that way, Purismo was much like the Pre-Raphaelite movement in Great Britain.